The piano was recorded to track one and his vocals on track two of the eight-track tape.He then double tracked his vocals and played maracas on track three.
These cookies will be stored in your browser only with your consent. The vocal on this just doesn’t SOUND like Paul. These cookies do not store any personal information.Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. So I think somehow John and George had boxed Paul in on these sugary pop songs Paul was starting to lean towards (which we saw come out on his solo albums).By the way, I like those Paul tunes – so I’m just giving a theory as to why Come and Get It didn’t make it to Abbey Road.Plus, Paul had taken up way more than his share of studio time nitpicking his way through endless takes and overdubs on Maxwell, just as he’d done on O-Bla-Di.BTW – reading Paul’s instructions to Badfinger – “OK, it’s got to be exactly like this demo,’ . Paul’s best post Beatles sounding music was from 1970-1975, with this being his last true great album.After this he wrote some good music but he never wrote the same great quality music again for some reason.His first solo album McCartney where he played every instrument by himself (and he played them all great) is very good,Red Rose Speedway and Band On The Run are very good albums too, and he produced all of these great albums by himself and co-arranged the music on Venus and Mars by himself.And it was Paul who wrote a lot of rock including hard rock in the 1970’s not John and George (no knock on them though) and most of it was great.Jeff Lynn has always been a huge Beatles fan, especially of their middle to late period when they sometimes used violins, cellos, horns etc and that’s why he created ELO and often used strings, but I never heard anything as rocking as even a lot of The early Beatles music was by ELO.I have no idea what all that is about. My favorite song in the 3rd grade in ’69.
I was eleven when it came out.
I was arguing with my older sister about that song, insisting it was the Beatles. It took less than an hour to complete.A single stereo mix was made of ‘Come And Get It’, a copy of which was taken away by McCartney. This song just needed Ringo’s drumming….Completely, Ringo’s drumming! It’s an ok song but I definitely wouldn’t place it in the calibre of any song on Abbey Road. Maxwell’s…like SO many of Pauls post beatles songs…is pedestrian song writing at best.To single out Paul’s solo career as pedestrian Is a bit unfair compared to The Beatles they all had pedestrian output.
Did I hear you say that there must be a catch? Because I lived locally, I could get in half an hour before a Beatles session at Abbey Road – knowing it would be empty and all the stuff would be set up – and I’d use Ringo’s equipment to put a drum track down, put some piano down, quickly put some bass down, do the vocal, and …
that’s exactly it, I agree completely. But close to half of it is pap and I generally skip most of side two.Well, I don’t even rate that album THAT highly. I referred to a 1974 quote from John Lennon. His songs are not on the next two singles – Ballad of John and Yoko/Old Brown Shoe and Something/Come Together.His songs on Abbey Road (other than the leftover Maxwell) are either a rocker like Oh Darling!
I think they made the right decision to exclude it.I have yet to hear it, but based on the above comments alone believe it should’ve replaced Maxwell’s. @MikeP, Topaz has proven themselves witless by claiming Venus and Mars is a great album. [t[hey actually wanted to put their own variations on, but I said, ‘No, this really is the right way.’ you can understand why John ad George got fed up being “sidemen” to Paul. All images © their respective owners. Very glad that this song served to get Badfinger in front of the record-buying public, and all glad for all the great songs (beyond the singles) from Badfinger.I agree, Direwolf.
It is mandatory to procure user consent prior to running these cookies on your website.I’d written the song ‘Come And Get It’ and I’d made a fairly decent demo. Will you walk away from a fool and his money? I think it’s one of of the Paul’s biggest sin we’ll never hear it on Abbey Road.Is there any indication that Paul even wanted it on Abbey Road?
He didn’t seem to learn much from George Martin who, by all accounts, gave them, in their early days, a lot of leeway.Another great Macca song and Badfinger did it justice!I first heard this song on the car radio in 71. My sister still says years later that Venus and Mars is one of the best rock albums she ever heard and that it’s unique and she knows no album like it.She always said his 1971 Ram album was a very good album too, although I like this album much better and I really don’t understand all of the love everywhere for his Ram album I think it only has 3 great songs on it, the great rocker Too Many People,Uncle Albert and Back Seat of My Car. What’s the scoop?
If you've learned something new about the band and wish to show your appreciation, why not make a small donation via PayPal? But everyone hears things differently so it’s OK for you if you don’t recognize this as being his voice. Recorded nine days later, Badfinger’s recording became a top five single and was the main theme for the Peter Sellers/Ringo Starr film The Magic Christian.McCartney first sang ‘Come And Get It’ live on.McCartney recorded a single take, singing live and playing piano. My mother was also a talented artist who sculpted, and drew with charcoal pencils and pastels, and she even sold some of her sculptures at a few local galleries.She said she now loved most of The Beatles music and said they were brilliant.And my sister who is 4 years older than me and had a big diverse music collection since she was a mid teen, bought Venus and Mars when it came out, and I remember listening to it with her, and her friend and my best friend and we all loved it.
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