I've never forgotten it.I really don't spend time thinking about the past. '.I wouldn't be here if it weren't for 'Show Boat.' 'Showboat' is the quintessential family show.I've never been able to understand where great artists come from.I always liked the visuals to be choice and at the same time minimalist.
There's plenty of room for rock musicals, just not all rock musicals.Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. I think about the future. It's really good to think we got it all nailed - of course you've never got it all nailed.There have always been revivals. It's very simple. The Henry IV Part 1 quotes below are all either spoken by Prince Hal (Henry, Prince of Wales) or refer to Prince Hal (Henry, Prince of Wales). I think because everything costs so much they're not taking the chances they used to.”,“The idea is to work and to experiment. And, I love black boxes. “A star may guarantee business, but the tradeoff is a very short run.”,“It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.”,“Most of the big money people don't know what would interest an audience if you did it.
That's great, but the work is really what makes it fun - and that has to be the future. I don't thrive on chaos.
I don't thrive on chaos. I was in college.Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. Much better you should tell them what you want and hope they agree with it.I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. I think because everything costs so much they're not taking the chances they used to.Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. I discovered it.
I think about the future. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. I would like to see people take more chances. I think about the future. And a little bit in the present.I'm always glad to see somebody rethink something rather than reproduce something I did.I would like to see more new productions of new material by new composers/lyricists/book writers. I look forward and plan new shows. Harold Prince You Time Money People I feel so much more comfortable when I'm working on material which makes other people scratch their heads and ask, 'You're going to make a musical out of that?' And you can't keep betting on the efforts of guys like me who've been around. It's the lack of creative producers that is troubling.”,“We've got to find a way to protect the process of making musical theater.”,“What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.”,“You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.”,“Artistic self-indulgence is the mark of an amateur. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future.
The director, ultimately, is the guy in front of whom the buck stops. The kind of theater I chose to be involved in is completely a direct reflection of what 'Show Boat' made possible.The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.You can't just keep recycling revivals.
He just wanted to know where the doors were - the entrances, the exits; the tables, the props - and then I would hire the designer. They only know what interested the audience last time.I feel so much more comfortable when I'm working on material which makes other people scratch their heads and ask, 'You're going to make a musical out of that? I met everybody who worked in theater or was famous in theater from the '40s on.”,“I would like to see more new productions of new material by new composers/lyricists/book writers. I like what the theater can provide in energy and bombast - I enjoy it when it's large, and by that I don't mean in size, I mean in emotions.
If there's any secret to my longevity, it's living in the future. It was involving, emotional, imaginative. I think you always have to be aware of the work that came before and build on that.”,“I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is … They only know what interested the audience last time.”,“Producers want to put their music behind revivals but I don't think that's a good trend for the theater at all.”,“The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.”,“The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.”,“The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.”,“There are wonderful composers and librettists out there. And I've always liked larger-than-life theater, providing it's truthful and honest.
Some have always been successful.
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